From Chapter 3:
A converse view of smoking may be seen in Izaak Walton's "Life" of Sir Henry Wotton, who died in 1639. Walton says that Wotton obtained relief to some extent from asthma by leaving off smoking which he had practised "somewhat immoderately"—"as many thoughtful men do." The italics are mine.

Tobacco, as has been said, was praised as well as abused extravagantly. Much absurdity was written in glorification of the medicinal and therapeutic properties of tobacco, but a more sensible note was struck by some lauders of the weed. Marston wrote in 1607:

From Chapter 15:
One of the earliest known examples of these highlanders as tobacconists' signs is that which was placed at the door of a shop in Coventry Street which was opened in 1720 under the sign of "The Highlander, Thistle and Crown." This is said to have been a favourite place of resort of the Jacobites. In his "Nicotine and its Rariora," Mr. A.M. Broadley gives the card, dated 1765, of "William Kebb, at ye Highlander ye corner of Pall Mall, facing St. James's, Haymarket," and says that the highlander was a favourite tobacconist's sign for 200 years. I have been unable, however, to find evidence of such a prolonged period of favour. I know of no certain seventeenth-century reference to the highlander as a tobacconist's sign.

From Chapter 15:
The highlander, as he existed within living memory at many shop doors, and as he still exists at a few, was and is the survivor of many similar wooden figures as trade signs. The wooden figure of a negro or "Indian" with gilt loin-cloth and feathered head, has already been mentioned as an old tobacconist's sign. In early Georgian days a tobacconist named John Bowden, who dealt in all kinds of snuff, and also in "Aloe, Pigtail, and Wild Tobacco; with all sorts of perfumer's goods, wholesale and retail," traded at the sign of "The Highlander and Black Boy" in Threadneedle Street, London. At York, in this present year, 1914, I came upon a brightly painted wooden figure of Napoleon in full uniform and snuff-box in hand, standing at the door of a small tobacco-shop. Another class of sign or emblem was represented by the "wooden midshipman," which many of us have seen in Leadenhall Street, and which Dickens made famous in "Dombey and Son." Sometimes the wooden figure of a sailor stood outside public-houses with such signs as "The Jolly Sailor"; and a black doll was long a familiar token of the loathly shop kept by the tradesmen mysteriously known as Marine Store Dealers. Images of this kind sometimes stood at the door, or in many cases were placed on brackets or swung from the lintels.

From Chapter 7:
It has sometimes been said that Swift smoked; but this is a mistake. He had a fancy for taking tobacco in a slightly different way from the fashionable mode of taking snuff. He told Stella that he had left off snuff altogether, and then in the very next sentence remarked that he had "a noble roll of tobacco for grating, very good." And in a later letter to Stella, May 24, 1711, he asked if she still snuffed, and went on to say, in sentences that seem to contradict one another: "I have left it off, and when anybody offers me their box, I take about a tenth part of what I used to do, then just smell to it, and privately fling the rest away. I keep to my tobacco still, as you say; but even much less of that than formerly, only mornings and evenings, and very seldom in the day." One might infer from this that he smoked, but this Swift never did. His practice was to snuff up cut and dried tobacco, which was sometimes just coloured with Spanish snuff. This he did all his life, but as the mixture he took was not technically snuff, he never owned that he took snuff.

Another cleric of the period, well known to fame, who took snuff but also loved his pipe, was Samuel Wesley, rector of Epworth, Lincolnshire, from 1697 to 1735. He not only smoked his pipe, but sang its praises:

In these raw mornings, when I'm freezing ripe,
What can compare with a tobacco-pipe?
Primed, cocked and toucht, 'twould better heat a man
Than ten Bath Faggots or Scotch warming-pan.

Samuel's greater son, John Wesley, did not share the parental love of a pipe. He spoke of the use of tobacco as "an uncleanly and unwholesome self-indulgence," and described snuffing as "a silly, nasty, dirty custom."